Master Guitar Fingerpicking Patterns: A comprehensive guide

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Fingerpicking is a beautiful and versatile guitar technique, but mastering it can feel daunting at first. If you’ve ever tried learning a song with fingerpicking, you may have noticed repeating patterns in your picking hand as the chords change. These patterns add rhythm, texture, and musical interest to your playing.

In this lesson, we’ll break down essential fingerpicking patterns, showing you how to apply them to different chords while building a strong rhythmic foundation. You’ll also find practical exercises with tabs designed to improve your precision, and finger independence. If you’re new to fingerpicking, we recommend starting with our introductory lesson on how to finger pick on guitar, which includes beginner-friendly exercises.

Let’s get started by reviewing the symbols used in fingerpicking notation.

Fingerpicking symbols explained

For the fingerpicking examples used in this lesson, we’ll use the following symbols:

P : thumb finger
i: pointer finger
m: middle finger
a: ring finger
c: pinky finger

Guide for guitar charts in post

You can check this post for more in depth information about guitar notation symbols.

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Chords for the fingerpicking examples

Here below are the chords we’ll be using for the fingerpicking examples in this lesson including the progression below the charts.

Chords for fingerpicking patterns

I suggest repeating every example or exercise below to get a better idea of the overall progression and transitions between chords.

We’ll start with easy picking patterns and gradually increase the difficulty.

Fingerpicking pattern 1: simple arpeggio

For the first picking pattern example, we outline each chord by playing low to high notes. We sometimes skip strings in between a chord shape to end the pattern on the highest note. This is a simple arpeggio, which means to break up the notes of a chord instead of playing them all at once.

Fingerpicking pattern 1 simple chord arpeggio

Fingerpicking pattern 2: arpeggio up and down

The next step is to play the chord arpeggio up then down. The rhythm can vary as you come back down the chord but here is one way that works well in 4/4 time.

FIngerpicking pattern 2 arpeggio up then down

Fingerpicking pattern 3: mixed arpeggio directions

At this point, we start to mix up the directions for the chord arpeggio. In this pattern, we go up on beats 1 and 2 then mix up the directions on beats 3 and 4.

Fingerpicking pattern mixing picking directions

Fingerpicking pattern 4: mixed arpeggio directions variation

Here is another example of mixing arpeggio directions. In this pattern, we switch the direction on the 2nd and 3rd note but keep the pattern the same as the previous example.

Fingerpicking pattern mixing directions 2


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Fingerpicking pattern 5: using two notes on a beat

For this pattern, we are playing two notes on one beat. You’ll be picking the bass note and highest note of the chord shape to start each measure and then finishing from low to high, similar to pattern 1.

Fingerpicking pattern two notes on a beat

Fingerpicking pattern 6: using two notes on a beat

This is another example of playing two notes on a beat and then adding more notes to beats 3 and 4.

Fingerpicking pattern 6 two notes on a beat 2

Fingerpicking pattern 7: using 4 fingers

This fingerpicking makes the chord sound fuller by using fingers 1, 2, 3, and 4 at once. Your thumb (finger 1) moves down while your pointer, middle and ring finger move up at the same time.

Finger picking pattern using 4 fingers


Fingerpicking pattern 8: using 4 fingers with arpeggios

Using the same concept of as the previous example, we’ll also break up the notes of each chord to create a flowing effect.

Fingerpicking pattern 8 four fingers on a beat

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Fingerpicking pattern 9: repeating bass (Travis picking)

This is a popular fingerpicking pattern that includes a repeating bass note on beats 1 and 3 while the arpeggio continues to alternate on the higher strings. This was a characteristic style of picking by guitarist Merle Travis and is often referred to as Travis picking.

Fingerpicking pattern 9 alternating bass pattern Travis picking

Fingerpicking pattern 10: repeating bass variation (Travis picking)

Here is another example of using a repeating bass pattern.

FIngerpicking pattern alternating bass pattern - travis picking 2

Fingerpicking pattern 11: creating sequences within a picking pattern

Another to consider when playing picking patterns is to create sequences to avoid sounding too repetitive. The sustaining note in measure two creates some space within the pattern. The sequence from measures 1 to 2 is repeated in measures 3 and 4.

Fingerpicking pattern 11 creating sequences

Fingerpicking exercise 1 – alternating fingers, same bass note

The following exercises will help you to develop your technique and create more independence for each finger. I’ll be using an E minor chord for these exercises but you can apply this to other chords using 6 strings.

In this first picking exercise, the bass note stays the same while fingers 2, 3, and 4 change above. You go from low to high then back down from strings 4 to 2 and then do the same pattern with strings 3 to 1 as you’ll see below.

Fingerpicking exercise 1 arpeggio

Fingerpicking exercise 2 – moving bass notes

In this 2nd picking exercise, your thumb moves on strings 6, 5, and 4 while your other fingers keep the same pattern.

Fingerpicking exercise 2 moving bass notes

Fingerpicking exercise 3 – string skipping

This exercise helps you to practice skipping between strings. You’ll see skips from strings 5 to 3, 4 to 2, and 3.

Fingerpicking exercise 3 string skipping

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Fingerpicking exercise 4 – combining movements

In this exercise, we are combining movements between the thumb and other fingers. The thumb alternates between the 6th and 5th string while your other fingers also continue to move around the top strings.

Fingerpicking exercise 4 combining movements

Fingerpicking exercise 5 – using all picking fingers

Picking exercise 5 finally includes using the pinky which is not often used. However, an exercise like this can help you strengthen the weakest finger to pick. This exercise also makes you use your pinky when playing multiple notes at once.

Fingerpicking exercise 5 using all picking fingers

Fingerpicking exercise 6 – string skipping using all fingers

Lastly, this exercise helps you work on skipping strings including all your fingers. The pattern is strings 6 to 4, 5 to 3, 4 to 2, and 3 to 1. Then you play the same skipping pattern from high to low.

Fingerpicking exercise 6 string skipping using all fingers

For more advanced picking patterns, check out how to play Travis picking patterns on guitar.

Wrapping up

As you’ve seen, fingerpicking patterns are a powerful tool for adding depth and interest to your guitar playing. By understanding how these patterns relate to chord shapes, you can unlock endless rhythmic possibilities.

The key is consistent practice and experimentation. Apply the examples and exercises in this lesson to different musical contexts, explore time signatures, and most importantly, have fun! To further refine your technique, here are 7 ways to get better at finger picking. Keep exploring, keep learning, and keep creating!

To learn more, try out these warm up exercises to improve your guitar playing.

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All the best,

JG Music Lessons

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